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It was released on the Silver Camel label. There were often underlying themes on his show. The band above was named after this jazz album title, released on the Mercury label. Freeze: Location session Their final session track, sessions would usually consist of four songs. This single released on the B. Sounds label unfortunately cuts out as the cassette tape runs out.
Many of these recordings were made using C cassette tapes. After a quick change over at the minute mark, it meant a good three-quarter of the programme could be recorded. The longer C tapes enabled a two-hour recording but the thinner tape used was prone to breakages, stretching or jamming in the tape mechanism. Recording not split into individual tracks. I previously mentioned at the end of the Waterboys post that I would include some of my FM recordings, celebrating some of the greatest disc jockeys that the UK has produced.
Bob Harris has been around since the early 70's and his career began in parallel with my growing interest in music. The only two music TV shows at the time were 'Top Of The Pops' - and as the name implies, it played the chart hits of the time.
On his show I discovered many of the classic artists as they are now known that a big brother or sister would pass down via their albums to their younger siblings. Bob became a de-facto substitute big brother, as I had no one older to shape my musical outlook. British radio was a bit provincial in those days apart from John Peel and Bob Harris spread the word about many of the exciting new bands that existed far across the Atlantic ocean.
When a new radio show was proposed for broadcast on BBC Radio 2 FM, to play Country, roots and Americana, including archive classics and modern recordings, Bob Harris was the perfect choice to begin presenting the new show on Thursday 5 January, The show continues to this day, now at a later time of 9pm. This posted show was broadcast on Thursday 3 June, Lineage details are included below and it's likely that the show is being made available world-wide for the first time in FM Stereo.
Some radio shows have a flow and feel to them that just work perfectly. This is one such programme. Turn it up loud and revel in the glory of American roots music. It's a wonderful show and though the internet has enabled new ways of finding music, never forget your radio has some of the most knowledgeable influencers in music. Bob Harris has an unerring ability to select a track from an album that inevitably turns out to be the best or one of the very best on that particular release.
With a new album in the Top 10 in the UK and a tour just announced for , Georgian country rockers Blackberry Smoke contribute three exclusive live songs to this week's show, alongside great new tracks from the Steel Woods, Brothers Osborne and Lukas Nelson! Son Volt - Reverie Electro Melodier This excellent compilation features tracks that appeared on all five of those albums.
It's a tight well crafted sequence of songs packing tracks into less than minutes. Ideal for those unfamiliar with this US indie band, who stayed loyal to the independent label Matador, throughout their career in the 90's.
If you are averse to live compilations and prefer listening to the complete live sets then I would recommend you begin with the above four shows.
They are available from sites mentioned in the bootlegs of the year document. Selections were taken from the live shows listed below: September 11, Reading Festival, England. March 2, Melkweg, Amsterdam, Netherlands March 6, But still, that's better than nothing. Only one song from this concert has been officially released. Lacy" came out on the relative obscure compilation "Fairport Unconventional. I had refrained from posting this concert here because the sound quality was pretty rough.
But the main problem was that the vocals were too low. Now that I'm using the sound editing programs Spleeter and X-Minus, I realized this is another concert I could improve. I'm not marking the songs with "[Edit]" because every track was edited with one of those programs, even the talking tracks to lessen the hiss there.
The end result? Okay, it's still rather rough. But it's markedly better than before, and I think it's very listenable. It certainly sounds better than I'd expected for any live recording of the band from There clearly was more to the show, since the band mentioned coming back for a second set.
But this is all we've got, in any form, thanks to it getting on TV. Iain Matthews does all the talking between songs. Based on the applause, it sounds like only a dozen or two people. There's one other bootleg of this band from that I know of. The sound quality is significantly worse.
It's a short recording from the Whittlesey Barn Barbeque two months before this. Most of it isn't listenable for my ears. But I rescued one song from it that sounds passable, helped by the fact that I boosted the lead vocals for that one too. Oh, regarding the date of this concert, it may or may not be true. This bootleg is generally listed as taking place in September I dug a little deeper and found the band's visit to the Netherlands that month was very short, from September 11th to September 14th.
The show could only have taken place on the nights of September 12th or September 13th, so I guessed! Lacey Fairport Convention. I couldn't find any color photos of the band in concert in I decided the world needs at least one, so I colorized this one. Heck, I was happy to even find a decent black and white one.
Apparently, it's from the summer of Thompson has said he was very shy at this point in his career and often played his guitar solos with his back to the audience. It looks like this is such a case. But for some reason, in , Justin Hayward gave an unusual acoustic concert at the Hall of Fame in Cleveland.
I say unusual because it was part concert and part interview. An emcee questioned him on stage, and he spent most of the time talking. You can watch the whole thing on YouTube; it's about an hour and a half long in total. But from time to time, he would play a song relevant to what was being discussed. Personally, I think the whole thing is interesting to listen to once, but it doesn't have much replay value since it mostly consists of talking. So what I did was select just the songs, plus some banter leading up to the songs.
In this way, it would be just like a concert, at least the kind in which the performer usually talks a bit before each song. I made clear to edit out any stray comments by the emcee, so it sounds like it's just Hayward on stage. One really nice thing is that the sound quality is excellent. This was professionally recorded for the video, I think, so it sounds as good as an officially released live album. The only snag is that it's rather short.
It's 36 minutes in all, with about six of those minutes being talking. In some cases, he only plays parts of songs rather than the whole thing. But still, it's a really nice way to hear Moody Blues songs, vastly different than the highly produced studio album versions. Oh, and he does a nice cover version of a Buddy Holly song, "Heartbeat. What I'm posting here is a bootleg from that time period, but sadly, only one of the songs performed here was included in the box set, "All I Want. But the whole concert should have been released, not just that one song, so I'm posting it here.
What sets this concert apart from others of hers around that time period is the sound quality. In fact, she did another show for the BBC less than two months later, and that one was included on the box set, probably because James Taylor had a prominent guest role in it. But I've compared the sound on this bootleg compared to that concert on the box set, and I think this actually sounds better. There was only one snag with the sound quality. For a couple of the songs, especially "Hunter" and "The Gallery," there were quite a few inexplicable clicking noises through the songs.
Luckily, I've recently gotten into using the sound editing program Spleeter, and I was able to reduce or lessen more of those clicks. But some were so baked in that I couldn't completely remove them. Also, there's a stray click here and there on a couple of the other songs near those. But those are just some minor hiccups. Overall, this is a must have for any Joni Mitchell fan. In addition to playing many of her most popular songs up until that point, she played three songs from her "Blue" album, which would be released in , plus "Hunter" which was a "Blue" outtake that didn't get released at all until decades later.
This concert is 48 minutes long. According to jonimitchell. The video footage from this TV broadcast can be found on YouTube. I made the cover art out of a screenshot from one of those. I also used the same font and color for the text as the titles that appeared at the start of the TV show. I consider Graham Gouldman to be a great songwriter.
In fact, I've already featured him in my "Covered" songwriter series. It turns out that in the s, no musical artist covered his songs more than the Herman's Hermits. There's just enough for a reasonably long album, so I've put one together. But they liked his material so much that they covered some of his songs that were big hits for others, like "For My Love," "Bus Stop," and "Tallyman.
Oh, I also posted this album so I could make an announcement for the other three Herman's Hermits fans out there: I recently redid all the albums by them that I'd previously posted at this blog. Thanks to new sound editing programs like Spleeter and X-Minus, I could completely erase that talking while keeping all of the music, so that's what I did. Say what you will about the Herman's Hermits, but Gouldman's songs are very creative and tuneful, and this band knew how to do them well.
This album is 36 minutes long. I consider myself quite lucky to find a photo of Gouldman with Herman's Hermits lead singer Peter Noone. It looks like Noone is signing a card on Gouldman's back. The photo I found was in black and white, but I colorized it.
So I've split that stray tracks album "Keep On Going" into two. The first half, still called "Keep On Growing," now deals mainly with This one just has songs from It's dominated by the blues covers I mentioned above.
Luckily, although all three apparently were only played once, and in small clubs, no less, excellent soundboard bootlegs exist for them. Many of the other songs could be called blues rock, so this album has some stylistic consistency. Two of the songs are covers of the Rolling Stones classics "Bitch" and "Sway. All these other songs are also from concert bootlegs, so every song here was done live, but they also come from excellent sources. If you're interested enough to download this, you definitely should redownload "Keep On Growing," because the songs on it have drastically changed, and I've added a couple of new ones.
Here's the link:. Note that while I put this album together, I also redid all the other Sheryl Crow albums I've posted so far, fixing the volume balance between songs and redoing the mp3 tags. I didn't see any photos of Sheryl Crow from that I really liked, even though there are many. So I used one from instead. In case you don't know, Campbell is the lead guitarist in Petty's band the Heartbreakers.
Petty is known to have been a big fan of J. However, in terms of Petty, don't get too excited. But other than that, you'd be hard pressed for any evidence that he was there, other than Cale talking about him between songs.
He was content to play a sideman role of just strumming rhythm guitar, and literally never said a word for the entire show. But Mike Campbell made more of an impact. Although he also never talked, if you listen closely, some of the guitar solos are his. That said, this concert is still mainly about Cale. What I like about it is just how good it sounds. It's an audience recording, but it's very hard to tell that it isn't a soundboard instead. I'm sure this was helped greatly by the fact that it's a small venue, and a maximum of people were there.
The one problem, as Mystic pointed out, was that Cale's vocals were low. Note that Cale has tended to downplay his vocals and keep them low in the mix of whatever he's recording for his entire career. But this concert he was even lower than that. Part of it may have been something about the P. But part of it also seems to have been that Cale had a sore throat that evening and it limited his singing, a fact he mentioned several times during the concert.
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Keep it lossless - it's worth it!!! I wanted to be sure that this show wasn't owned by anybody, especially Terry himself. Terry told me he had "unofficial permission" from Ed Bicknell Dire Straits manager and drummer during the Notting Hillbillies shows to do" ,and that this show is "stricktly a bootleg" Taken from the original silver pressed bootleg "Swan Hunter".
Excellent calypso version of So far away, very unique! The sound is perfect and the performance is top quality. Alan Clark on keyboards instead of Guy Fletcher. A must for all Highly recommended! Great versions of So Far Away Calypso version! I recommend it very much. Great performances throughout the show. So Far Away has some jokes in it, nice! Alan Clark rocks during "Run me down" Nice to hear him play, great musician!!
Great show , a lot of Dire straits songs nicely "re-arranged" The boys are having a good time Funny to hear Mark and Brendan singing some funny lyrics during "so far away calypso version " and fooling arround , very nice listen sample Stunning "why worry" version ,with Brendan introduce it with the words:"we know this song as why bother! And remember Dire straits - Dublin,Ireland. Last track on CD2 "Tunnel of Love" is from Taken from the original silver pressed bootleg "Strait to the point".
Interesting because of the rarely performed songs like: -I think I love you too much, -Setting me up -Why worry. Very good sound quality, complete show including one bonus track tunnel of love from the day after this concert. Site Links Search. Link to Us. Help Support. Quick Tour. Contact Us. About Company. Payment Contacts. Media Press Room. Tools 4shared Mobile.
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